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07.12.2020 Silent Sunday-Eliza’s Cascade
This entry was posted in Intimate Landscape, Landscape, Nature Photography, Western Massachusetts, Western Massachusetts Waterfalls and Cascades and tagged cascades, Conway, intimate landscape, landscape, Massachusetts, New England, New England Waterfalls, waterfall, waterscape, western massachusetts. Bookmark the permalink.
Stephen Gingold Nature Photography Blog 
Man, do I love that color saturation!
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Thanks, Bob. I do also.
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Beautiful! I love the transition from the gold reflections up top to the green moss down below.
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Thanks, Todd. I was surprised at how well this turned out. I usually see light like that in the autumn.
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Smooth water! I like it 🙂
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Thank you, Minna. I am happy you like it. 🙂
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I don’t remember ever seeing one of your water/waterfall photos with this golden light. I suppose part of that’s because you’re often in woods, or photographing ice. This is beautiful — the colors seem alive.
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I think that I have once or twice shared some image with similar light…but I can’t remember and don’t think I keyworded golden light into any of my waterfall images. Guess I have to remedy that for this image at least. Thanks.
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Oh, wow, amazing image, Steve. You are such a pro! I love it and it’s all the more special because I know these rocks so well. 🙂
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Thanks, Eliza. I was glad to have another opportunity and very pleased that you like the result. 🙂
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Reblogged this on Eliza Waters and commented:
What my stream looks like in the hands of a pro… thanks, Steve!
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So you didn’t use a filter for this? Just a slow shutter speed a higher ISO?
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Just a circular polarizer, Maria, which does cost 1- 1 1/2 stops.There was a nice canopy overhead. Most of the time I am in wooded environments so it has been a very long time since I needed a neutral density filter.
3.2 secs @f/16, ISO 100.
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That’s amazing! Which lens?
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70-200. I was back a bit and wanted to compress the scene.
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Amazing! I don’t know why I alway think these scenes require wide angle lenses. I guess it just depends how close one is from the scene.
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That and the effect you want. With the 16-35 0r the 24-70 the glow would have been further away and much smaller plus there would have been a lot of distracting clutter. I do use my 16-35 a lot with waterfalls and cascades. Just depends on the intent.
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